Tag: hollywood musicals

  • Day 39 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Flying Down to Rio
    Director: Thornton Freeland
    Writer: Cyril Hume, H.W. Hanemann, Erwin Gelsey
    Year: 1933
    Country: USA

    Format: DVD
    Length: 89 minutes
    Seen: 22 February 2026
    Rewatch

    Roger Bond (Gene Raymond) is an orchestra leader with a habit of getting fired from venues for canoodling with the customers. Despite warnings from his bandmate Fred (Fred Astaire), Roger falls for the flirtatious Brazilian heiress Belinha De Rezende (Dolores del Rio) and gets everyone fired yet again. He manages to book a new gig in Rio de Janeiro, planning to track down Belinha and continue their courtship. But the course of true love never did run smooth, and Roger discovers that Belinha is already engaged to his best friend Julio (Paul Roulien).

    Flying Down to Rio secured its place in film history by introducing the immortal pairing of Fred Astaire and Ginger Rogers. Honestly it’s not got much else going for it! There’s some fun song and dance numbers (I particularly like Ginger’s song ‘Music Makes Me’) but those are few and far between. Most of the runtime is taken up by the rather dull, chemistry-free romance between Raymond and del Rio. There’s also some vintage casual racism and misogyny—which, while not exactly surprising, is especially hard to overlook when the actual plot is so boring. I’d only recommend this for dedicated Fred and Ginger completists!

  • Day 34 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: 42nd Street
    Director: Lloyd Bacon
    Writer: Rian James, James Seymour
    (Based on the novel by Bradford Ropes)
    Year: 1933
    Country: USA

    Format: DVD
    Length: 89 minutes
    Seen: 5 February 2026
    Rewatch

    42nd Street (1933) is a backstage musical following the cast and crew of ‘Pretty Lady’, a new show preparing to open on Broadway. The leading lady, Dorothy Brock (Bebe Daniels), is having an affair with the show’s financial backer (Guy Kibbee) whilst continuing to see her old vaudeville partner (George Brent) behind his back. And despite a string of successes, director Julian Marsh (Warner Baxter) is bankrupt thanks to the Great Depression, so he’s staking everything on ‘Pretty Lady’ being a hit. Into this high-pressure environment comes Peggy Sawyer (Ruby Keeler), a wide-eyed ingenue looking for her big break.

    But the real star of the show is the legendary Hollywood choreographer Busby Berkeley. He’s responsible for the spectacular, kaleidoscopic dance routines that make 42nd Street so memorable. The musical numbers in the ‘Pretty Lady’ show-within-a-show don’t seem to make much sense or tell any kind of cohesive story… but they’re exactly the kind of spectacle I came to see.

    Also there’s legs—lots of legs—a surfeit of legs! “After three weeks, a leg ain’t nothing to me but something to stand on.” Add a wisecracking supporting role from a pre-stardom Ginger Rogers and 42nd Street is a damn good time… despite most of the songs being utterly forgettable!