A Genteel Black Hole

Ally's bookish rambles

  • A few years ago I found myself wondering: What if Tim Smith (Cardiacs, The Sea Nymphs) had written Auld Lang Syne? It would probably have some wonky chords and trippy bits, wouldn’t it? So I recorded my best attempt at just such a thing. It’s not a perfect imitation of Cardiacs — more like my cover of a Tim Smith song that doesn’t exist.

    Recently I revisited the old demo and polished it up in the mix, added some programmed drums and stuff, and got it sounding generally decent.

    So what better day to share it than New Year’s Eve? Ring out the old year, ring in the new. Ring-a-ding ding!

  • Title: The Phantom Tollbooth
    Author: Norton Juster
    Year: 1961
    Country: USA

    Format: E-book
    Read: 17-29 December 2025
    First reading

    The Phantom Tollbooth is a children’s fantasy by Norton Juster, with charming illustrations by Jules Feiffer. Milo is a chronically bored kid. Then one day he receives a mysterious gift: a magical turnpike tollbooth. The tollbooth transports him to the Kingdom of Wisdom, a whimsical land of puns, where he ends up on a quest to rescue Princesses Rhyme and Reason. Accompanied by his new friends — a Watchdog called Tock and a grumpy beetle called Humbug — Milo encounters a host of eccentric characters who collectively teach him how to find joy in learning.

    My inner child was delighted by this book. I’ve been a fan of Alice’s Adventures in Wonderland as long as I can remember, and The Phantom Tollbooth has similar vibes: a child is transported to a surreal land full of baffling eccentrics and outlandish wordplay.

    However Tollbooth has a more obvious moral than Alice. It aims to get kids excited about knowledge for knowledge’s sake — a noble cause! But my adult self tends to prefer children’s stories that are a bit less on-the-nose. (I spent much of this year becoming a fan of Tove Jansson’s Moomins.) So while I delighted in the wordplay (a car that runs on silence: it goes without saying), the Kingdom of Wisdom probably won’t linger in my imagination the way Wonderland does.

    It’s too bad I didn’t read this when I was Milo’s age.

  • Day 29 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Cure
    Director: Kiyoshi Kurosawa
    Writer: Kiyoshi Kurosawa
    Year: 1997
    Country: Japan

    Format: 4K Blu-ray
    Seen: 29 December 2025
    First viewing

    Back in August I started Project Glowing Rectangle — basically a conscious effort to watch more films. I’ve been neglecting my love of cinema for the past few years, and wasting too much time staring at The Bad Oblong (my phone). Project Glowing Rectangle is an attempt to correct both of these problems. Last year I watched a grand total of 16 films. This year it’s up to 38, of which 29 were between August and now. So far so good!

    Today’s film was Cure (1997), a psychological horror film written and directed by Kiyoshi Kurosawa — no relation to Akira Kurosawa.

    Koji Yakusho stars as a police detective investigating a spate of inexplicable killings around Tokyo. The perpetrators are unconnected, and each seems unable to explain their motives. And every victim is found with an X carved into their neck.

    I was very impressed by this film. Koji Yakusho (who I also loved in Wim Wenders’ Perfect Days) is excellent in the lead role, as is the whole supporting cast. It’s an extremely dark film, and the bleak atmosphere lingers long after the end credits have rolled.

    The question is, did I enjoy the experience? I think so. But it’s not one I’d want to repeat too often!

  • At the start of 2025 I set myself a challenge to write a haiku every Friday for the whole year. The rule: They don’t have to be good, they just have to be done.

    And today is the last Friday of 2025. I completed the challenge, with only one skipped week (extreme fatigue) and a few belated haiku (forgetfulness) along the way. Overall I’m proud of how the project went. I achieved what I set out to do, and probably improved my haiku-writing skills along the way.

    But I don’t intend to carry the project over into 2026. Towards the end of the year it just stopped being fun. It was mandatory creativity to a deadline — too much like homework.

    To mark the end of the Friday Haiku project, here are all fifty haiku:

    ~

    January

    1 — January 3rd:

    Lingering malaise.
    Bartók on headphones, eyes closed —
    Time to recover.

    2 — January 10th:

    An old favourite show:
    Never used to watch alone —
    Blindsided by grief.

    3 — January 17th:

    Hollow red chamber
    Invaded by silver blade —
    Slicing a pepper.

    4 – January 24th:

    Victory is mine
    Until the blue shell descends:
    Mario Karted!

    5 – January 31st:

    When writing haiku,
    Please don't use ChatGPT:
    Suck on your own terms.

    ~

    February

    6 – February 7th:

    Glistening tarmac
    Glimpsed through a clouded window —
    Staying in today.

    7 – February 14th:

    I love you too much 
    For seventeen syllables 
    Ever to encompass.

    8 – February 21st:

    Cool air fills my lungs,
    I feel myself expanding —
    New CPAP machine.

    9 – February 28th:

    Daylight stretching out,
    Feeding my animal self:
    Winter retreating.

    ~

    March

    10 – March 7th:

    Vibrating, a string 
    Agitates air molecules:
    To the ear, music. 

    11 – March 14th:

    Squinting at pixels —
    "Is this better, d'you think?" 
    Editing thumbnails.

    12 – March 21st:

    Curious kitty
    Sniffing at my open door
    Beats a quick retreat!

    13 – March 28th:

    A Sondheim earworm
    Rolling merrily through my head:
    Who's like him? Damn few.

    ~

    April

    14 — 4th April:

    Mottled evening sky —
    Red kite pitches and rolls past,
    Sailing secret waves.

    15 — 11th April:

    Spate of sleepless nights
    Depleting my battery: 
    Can't even write a

    16 — 18th April:

    Inscrutable words
    Decorate the evening air —
    Language of the birds.

    17 — 25th April:

    The birdies have sung,
    Our modern dance is ended:
    Farewell, Pere Ubu.

    [In memory of David Thomas.]

    ~

    May

    18 — 2nd May:

    Opportunities
    Like speeding taxis recede
    Into might-have-been.

    19 — 11th May (ahem):

    Totally on time,
    It's my regular haiku:
    Please ignore the date.

    20 — 16th May:

    Watching Taskmaster:
    Mathew Baynton's tiny shorts,
    Judiciously blurred. 

    21 — 23rd May:

    Pearly gates open:
    Angelic chorus cheers, "Norm!"
    So that's where George went.

    [In memory of George Wendt.]

    22 — 30th May:

    Razor blade in hand,
    You Fantastic! musicians
    Thwart the precedent.

    [Inspired by the experimental band, You Fantastic!]

    ~

    June

    23 — 6th June:

    Reading Titus Groan:
    Gormenghast's grim labyrinth
    Haunting my mind's eye. 

    24 — 13th June:

    In my room, surf's up:
    There's a riot goin' on —
    Dance to the music!

    [In memory of Brian Wilson and Sly Stone.]

    24 — 20th June:

    Window yawning wide,
    Curtains dancing in the breeze…
    Still too bloody hot.

    25 — 27th June:

    Hope is mere kindling:
    If you want there to be fire,
    You must strike the match.

    ~

    July

    26 — 4th July:

    White cassette, red sleeve,
    Blaring in my preteen ears:
    You really got me.

    [Inspired by The Kinks.]

    27 — 11th July:

    Mortification:
    The reeking fertiliser
    Through which our souls grow. 

    28 — 18th July:

    My waterbody:
    Where veins are tributaries
    Flowing with life force.

    [Inspired by Robert Macfarlane’s book, Is A River Alive?]

    29 — 25th July:

    The Prince of Darkness
    Unfurls his leathery wings,
    Soars into the void.

    [In memory of Ozzy Osbourne.]

    ~

    August

    30 — 1st August:

    Round the corner, leaves
    Beckon in a gentle breeze:
    Befriending a tree.

    31 — 8th August:

    Iambic music
    Waking up my sleeping ear,
    Measure by measure.

    32 — 15th August:

    .hindsight in Revealed
    contexts and meanings Hidden
    :reverse in Story

    [Inspired by series 9 of John Finnemore’s Souvenir Programme.]

    33 — 22nd August:

    A witness wonders,
    Why do they send five coppers
    To arrest one man?

    34 — 29th August:

    Watching Enterprise —
    The only Star Trek series
    With a shit theme tune.

    ~

    September

    35 — 5th September:

    Glowing in darkness,
    Twenty four flickering frames
    Help me find myself.

    [Inspired by my project to get back into watching films.]

    36 — 12th September:

    Most radiant smile,
    Transcending time and language:
    Setsuko Hara.

    37 — 19th September:

    Made my lovely eyes
    Sad, leaky, wet and wincey: 
    Petals float to earth.

    [Inspired by the long-awaited new Cardiacs album.]

    26th September:

    (No haiku. Too fatigued to write.)

    ~

    October

    38 — 3rd October:

    Golden leaves dancing —
    Watched through rain-streaked windowpane
    And a foggy brain.

    39 — 10th October:

    Pearly grey expanse
    Dotted with darting black birds,
    Flitting between trees.

    40 — 17th October:

    Malfunctioning brain:
    Called the mental mechanic —
    Time for a tune-up.

    41 — 24th October:

    Silver kintsugi:
    Break my heart and glue the shards,
    Tokyo Story.

    42 — 31st October:

    Hearing old music
    Made by a forgotten self:
    Time to remember.

    ~

    November

    43 — 7th November:

    Red and golden leaves
    Strewn upon the grey below:
    Autumn's casualties.

    44 — 14th November:

    Insatiable night
    Feasts upon the daylight hours,
    Tipping the balance.

    45 — 21st November:

    Late afternoon rays
    From a low, cold winter sun
    Catch the bare branches.

    46 — 28th November:

    Waxing crescent moon
    Floating in pale blue evening:
    A cut fingernail.

    ~

    December

    47 — 5th December:

    My Telecaster
    Beckons from its dusty case:
    Soon I'll play again.

    48 — 12th December:

    Christmas approaches
    But merriness can't be found:
    I'll try to make some.

    49 — 19th December:

    Saying “Oh, hiya!”
    Lubricates the social wheels, 
    Or so says Ozu. 

    [Inspired by the film Good Morning, the original Japanese title of which is Ohayo.]

    50 — 26th December:

    Slump across the line
    With a huge, exhausted sigh:
    Fiftieth haiku!
  • Hello and welcome to A Genteel Black Hole, the companion blog for my YouTube channel. My name’s Ally, and yours probably isn’t.

    I plan to post concise reviews of books and films — many of which I will discuss in a more rambly way on my channel. There may also be music, poetry, and whatever else I feel like posting. It’s my party and I’ll cry if I want to!

    I do not and will not use AI — I just happen to like em-dashes, okay?