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A Genteel Black Hole

Tag: movie review

  • Project Glowing Rectangle: The Apartment

    Ally

    Day 38 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: The Apartment
    Director: Billy Wilder
    Writer: Billy Wilder, I. A. L. Diamond
    Year: 1960
    Country: USA

    Format: 4K Blu-ray
    Length: 125 minutes
    Seen: 18 February 2026
    Rewatch

    Kubelik: Some people take, some people get took. And they know they’re getting took and there’s nothing they can do about it.

    C. C. Baxter (Jack Lemmon), aka Buddy Boy, is one of those people who gets took. He works in a huge office building as an insurance clerk, his head stuffed with numbers and statistics. Baxter often works late, not out of dedication to his job but because, despite living alone, his apartment is rarely empty. His key gets passed around the office, his apartment serving as a discreet place for married men to take their girlfriends. In return, Baxter’s superiors recommend him for promotions. When he agrees to lend the key to Mr Sheldrake (Fred MacMurray), director of personnel, Baxter finds himself quickly ascending the corporate ladder. Meanwhile he harbours a crush on Miss Kubelik (Shirley MacLaine), an elevator operator at the office. Little does he know she’s already been to his apartment…

    Baxter: The mirror… it’s broken.
    Kubelik: Yes, I know. I like it that way. Makes me look the way I feel.

    It’s safe to say The Apartment is my favourite film of all time. My band’s debut album, The Way It Crumbles, was named after a quote from the film. I rewatched it today to celebrate my 40th birthday and it made me smile, laugh and blub as much as ever! It’s a beautiful film about loneliness, human connection, and the importance of growing a spine and doing the right thing—or, as Baxter’s neighbour Dr Dreyfuss (Jack Kruschen) puts it, being a mensch.

    Jack Lemmon and Shirley MacLaine are fantastic as Baxter and Kubelik, and the screenplay by Billy Wilder and I. A. L. Diamond is a well-oiled machine of setups and payoffs. Baxter has a habit of quoting all the other characters, picking up their verbal tics and mannerisms. This leads to so many running gags and references throughout the film, each one gaining new significance over time. Nobody quotes Baxter in return, at least not at first. But eventually Miss Kubelik starts to pick up Baxterisms and the two are drawn together, romance-wise. It’s a rather chaste romance, one that ends not with a passionate kiss but a game of cards. It feels to me like a very neurodivergent-coded romcom. I love it deeply.

  • Project Glowing Rectangle: Sinners

    Ally

    Day 37 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Sinners
    Director: Ryan Coogler
    Writer: Ryan Coogler
    Year: 2025
    Country: USA

    Format: 4K Blu-ray
    Length: 138 minutes
    Seen: 13 February 2026
    First viewing

    This afternoon’s film was Sinners (2025), starring Michael B Jordan and Michael B Jordan. (Yes, sometimes I watch modern films!) Set in 1932, it follows the Smokestack twins, ‘Smoke’ and ‘Stack’, as they return home to Mississippi after seven years in Chicago. Using money stolen from the mob, the twins buy a sawmill to start a juke joint. But opening night takes a bloody turn when the transcendent power of music pierces the veil between worlds, summoning a trio of vampires.

    This is a solid piece of filmmaking. Michael B Jordan gives two excellent performances as identical twins. The scenes where he shares the screen with himself are perfectly realised; after a few minutes I stopped even thinking about what a technical feat it is. It just works! The supporting cast is also great, particularly newcomer Miles Caton as Sammie, the blues musician whose transcendent singing causes all that supernatural trouble.

    But for me the film wasn’t transcendent. Very good, yes, but I didn’t adore it like I hoped. (Also I found the alternating aspect ratios a little distracting. Do the IMAX scenes have more impact on the big screen?) Maybe I’ll get more out of it on rewatching, but my first viewing didn’t quite sink its fangs in.

  • Project Glowing Rectangle: Late Autumn

    Ally

    Day 36 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Late Autumn
    Director: Yasujiro Ozu
    Writer: Kogo Noda, Yasujiro Ozu
    Year: 1960
    Country: Japan

    Format: Blu-ray
    Length: 128 minutes
    Seen: 10 February 2026
    First viewing

    Late Autumn is one of Yasujiro Ozu’s last films. Setsuko Hara stars as Akiko Miwa, a widow living alone with her daughter Ayako (Yoko Tsukasa). Three old friends of the late Mr Miwa take it upon themselves to find Ayako a match, but she is hesitant to marry and leave her mother alone. Maybe the three meddling friends can solve that problem by finding a match for Akiko too…

    This feels almost like a remake of Ozu’s 1949 film Late Spring: In that film Setsuko Hara played the marriageable daughter, but here she’s the widowed parent. (Chishu Ryu, her father in the earlier film, here plays her brother.) The film balances humour, sadness and social commentary, all in Ozu’s typical, quiet and delicate style—and starring many of his favourite actors. If you’re not already an Ozu devotee, I wouldn’t necessarily recommend this one as an introduction to his work. But if you’re already sold on Ozu, Late Autumn will certainly scratch that itch.

  • Project Glowing Rectangle: Only Angels Have Wings

    Ally

    Day 35 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Only Angels Have Wings
    Director: Howard Hawks
    Writer: Jules Furthman
    Year: 1939
    Country: USA

    Format: Blu-ray
    Length: 121 minutes
    Seen: 8 February 2026
    Rewatch

    This afternoon’s film was Only Angels Have Wings (1939), a romantic drama directed by Howard Hawks. Cary Grant stars as Geoff Carter, chief pilot of a South American airmail company. The mail route is extremely risky; pilots are frequently killed, which gives the survivors a rather jaded, fatalistic attitude. But when visiting pianist Bonnie Lee (Jean Arthur) falls for Geoff, his determination not to be tied down is put to the test.

    “I’m hard to get, Geoff. All you have to do is ask me.”

    This film didn’t make a big impression on me when I first saw it about eight years ago. But this time around I was completely sold! The cast is great, especially the central performances by Arthur and Grant. I got fully wrapped up in the will-they-won’t-they romance between Geoff and Bonnie, as well as the fates of the various pilots. The gripping aviation scenes reminded me heavily of Antoine de Saint-Exupéry’s 1939 memoir Wind, Sand & Stars. And there’s a prominent supporting role for a young Rita Hayworth as the woman who once broke Geoff’s heart. Yep, this is good stuff!

  • Project Glowing Rectangle: Almost Famous

    Ally

    Day 33 of Project Glowing Rectangle, in which I try to divert some of my daily doomscrolling time back towards a more nourishing oblong: Cinema.

    Title: Almost Famous (The ‘Untitled’ Cut)
    Director: Cameron Crowe
    Writer: Cameron Crowe
    Year: 2000
    Country: USA

    Format: 4K Blu-ray
    Length: 161 minutes
    Seen: 3 February 2026
    Rewatch

    Almost Famous (2000) follows fifteen-year-old William Miller (Patrick Fugit), an aspiring rock journalist who goes on tour with the fictional band Stillwater. William befriends band members, roadies, and fans alike—including the famed “band aide” Penny Lane (Kate Hudson)—and witnesses firsthand their decadent rock and roll lifestyle. Meanwhile William’s strait-laced mother (Frances McDormand) grows increasingly concerned as she waits for him to come home.

    This film is a heartfelt tribute to the music of Cameron Crowe’s youth, inspired by his own experiences as a teenage rock journalist. It’s a film powered by nostalgia; and it was a huge favourite of my teenage self, meaning I now have my own nostalgia for it. I first saw it when I was around William’s age, and probably just as wide-eyed as he was. Rewatching it today was a potent emotional experience. My favourite scenes still hit deep: ‘Tiny Dancer’ had me in floods of tears just like it did 25 years ago. And I love the scenes with Philip Seymour Hoffman as William’s mentor, Lester Bangs.

    “The only true currency in this bankrupt world is what we share with someone else when we’re uncool.”

    Is it a perfect film? Probably not. Did I love every second? Absolutely!

    (Fun fact: I once watched Almost Famous as an in-flight movie. Considering the climactic electrical storm scene, this was probably not a great idea…)